Fairy Tales

Never to Behold Again

by Marie BrennanMarch 17, 2022

Beauty is a consumable thing. We eat it with our eyes, wear it down with our gazes. A sunset or a flower may take our breath away because we see it for so short a time; the next day the flower has wilted, and the next evening's sunset is not the one we saw before. But everyone has had the experience of purchasing a thing--a sculpture, a vase, a piece of jewelry--which was utterly striking when it was new, only to find that its charm palls after it is looked at too often. This is not simply habituation. The beauty is consumed in the looking.

I did not care about money when my daughter wed, not for its own sake. I wanted some untouched beauty.

Money is why ambitious families lock their most beautiful daughters away, to be attended to only in darkness, or by blind slaves. They choose the girls at an early age, no older than six, and they seclude them behind walls and veils until it is time for them to marry. Wealthy men will pay an absurd bride price for a young woman who has not been seen in a decade or more. Her beauty will be pristine, unmarred by other people's eyes. Of course their own greedy gazes often ruin their prizes before long, dulling the new wife's shine--but until then, they have what few others can say they possess.

That, not money, is what drove me. Through the long years in which my daughter grew unseen, I gave careful thought to my choice, considering and discarding the possibilities. By the time she married, I knew: an ink painting by the master Kilungte. His style is minimalist; each work is completed in a single sitting. Even the artist's own gaze has little chance to diminish the perfection of the result.

I looked at it once, when I received it. I stared at it without blinking, until my eyes burned so badly I could keep them open no longer. Then, with them shut, I covered the painting. And I have not looked at it since.

No one but me knows where it is. I can't risk someone else damaging it, eating away at the beauty I sacrificed so much to acquire. Perhaps I will look at it one more time before I die--I haven't decided. It will be lesser then, reduced by that first viewing. Perhaps it is better to remember it only as it was.

I will not say what the painting depicts. Words cannot suffice. It is the most beautiful thing I have ever seen, and no one will ever truly see it again.

About Marie Brennan

Marie Brennan is a former anthropologist and folklorist who shamelessly pillages her academic fields for material. She most recently misapplied her professors' hard work to Turning Darkness Into Light, a sequel to the Hugo Award-nominated Victorian adventure series The Memoirs of Lady Trent. The first book of that series, A Natural History of Dragons, was a finalist for the World Fantasy Award and won the Prix Imaginales for Best Translated Novel. Her other novels include the Doppelganger duology of Warrior and Witch, the urban fantasies Lies and Prophecy and Chains and Memory, the Onyx Court historical fantasy series, the Varekai novellas, and nearly sixty short stories, as well as the New Worlds series of worldbuilding guides. Together with Alyc Helms as M.A. Carrick, she is the author of the upcoming Rook and Rose epic fantasy trilogy. For more information, visit her website, her Twitter @swan_tower, or her Patreon.

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